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	<title>Comments on: A good mic pre or a good mic?</title>
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	<link>http://soundacoustics.com.au/Content/2009/06/a-good-mic-pre-or-a-good-mic/</link>
	<description>Acoustic  Products Specialists</description>
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		<title>By: James</title>
		<link>http://soundacoustics.com.au/Content/2009/06/a-good-mic-pre-or-a-good-mic/comment-page-1/#comment-24</link>
		<dc:creator>James</dc:creator>
		<pubDate>Sat, 06 Jun 2009 09:20:08 +0000</pubDate>
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		<description>You are possibly right. As Neil Finn says in one of the recent issues of Audio Technology, it&#039;s hard to kill a good song.</description>
		<content:encoded><![CDATA[<p>You are possibly right. As Neil Finn says in one of the recent issues of Audio Technology, it&#8217;s hard to kill a good song.</p>
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		<title>By: Shane779</title>
		<link>http://soundacoustics.com.au/Content/2009/06/a-good-mic-pre-or-a-good-mic/comment-page-1/#comment-23</link>
		<dc:creator>Shane779</dc:creator>
		<pubDate>Sat, 06 Jun 2009 09:13:57 +0000</pubDate>
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		<description>Hi James, love the new website. The trouble with buying recording gear is everyone has their own opinion. I respect what you have suggested, but what about an el cheapo Behringer mic and an M-box. Do listeners really notice the difference once the signal has been processed to the max in the box? I don&#039;t reckon they do.</description>
		<content:encoded><![CDATA[<p>Hi James, love the new website. The trouble with buying recording gear is everyone has their own opinion. I respect what you have suggested, but what about an el cheapo Behringer mic and an M-box. Do listeners really notice the difference once the signal has been processed to the max in the box? I don&#8217;t reckon they do.</p>
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